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<%
set newsproduct=server.CreateObject("ADODB.Recordset")
sqltext="select top 12 * from news where news10=3 order by news1 desc,id desc"
newsproduct.Open sqltext,cn,1,1
if newsproduct.bof or newsproduct.eof then
response.write "No Message!"
else
i=1
do while not newsproduct.EOF
set news6=newsproduct("news6")
set idd=newsproduct("id")
set news3=newsproduct("news3")
%>
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<%
i=i+1
newsproduct.movenext
loop
end if
newsproduct.close
set newsproduct=nothing
%>
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<%
id=request("id")
set rs=server.CreateObject("ADODB.Recordset")
if id<>"" then
sqltext="select * from news where id="&id&""
else
sqltext="select top 1 * from news where news10=3"
end if
rs.Open sqltext,cn,1,1
set news3=rs("news3")
set news5=rs("news5")
set news6=rs("news6")
set news8=rs("news8")
set news12=rs("news12")
%>
During the Tang Dynasty, a large number of porcelain wares were in daily use having been substituted for the ones made of gold, silver, jade and other materials. With export, Chinese patterns on these wares also took on more exotic appeal. The Yue and De kiln of Zhejiang Province had features that were the most popular ones, and another one, Xing kiln in Hebei Province was greatly prized for its white porcelain as 'white like snow'. Kilns baking porcelain for the royalty sprang up producing elegant and dainty works.
Stepping into the Song Dynasty (960 - 1279), a variety of genres of porcelain appeared and it became a fashion that people showed great interest in purchasing and collecting certain wares suitable to their tastes. Ru, Ding, Ge, Jun and the official kilns had been the representatives of that age. Official kilns advocated concise patterns of decoration; Ru kiln in Hebei Province added treasured agate into glaze so that the color and texture appeared to be uniquely daintily creamy.
could be compared with jade. Henan Province had two famous kilns named Jun and Ding kilns. Since the reign of Emperor Huizong who liked art appreciation, porcelain of Jun kiln was kept exclusively for the royal family and common people had no right to collect it no matter how much money they possessed. Since the artisans made their porcelain wares separately, there was no repetition among decorative patterns and colors. Thus this made each porcelain product more precious in its own right. Ding kiln boasted its white porcelain which has a texture as delicate as that of ivory with an adornment of black and purple glaze. Distinctive from the other four kilns which stressed color, this one was quite good at engraving and printing flower patterns. While the Ge Kiln produced porcelain articles with various grains and produced an amount of artworks greater than those of the other four.
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